Self Domesticating

John Recendez

Call me Coyote, amigo

I’ve been wandering since sunrise

Eating whatever the city drops at my feet; popcorn outside of Regal

I’m not like the rest of my kind; I use google maps and spotify


The muse arrives at the cafe twenty minutes late with a toga

Slipping off one shoulder from the morning wind

Holding a half finished brown sugar boba

She says art is sacred and sighs but my concept intrigues her


“I will not descend from Olympus for free!” she declares

Tapping her straw against the cup like a scepter, toga wrinkled

“Inspiration costs extra, paidi” (because she must prepare)

“Maybe a dinner at Chubby Cattle, or at least upgrade me to oat milk”


Midday, the door dings and I step outside, Huichaana clears her throat behind me

Mijo, esa chamarra no te ayuda

¡Ponte un suéter, y estás muy flaco!” (Tia, just let me be...)

Ne Ruzuhuaa rizi’ laabe ca!1


As I cross the I-110 into Culver City,

I run into the bobcat, my friend who has made peace with the leash

She tells me, “Isn’t it a pity—”

“That you’re a coyote with a shiny collar but prowl the metro?”


She flicks her tail and walks away

As I ask what she means too quickly and eagerly

She’ll respond one of these days, I pray

Because I know she hears me


I ride on the E line’s back to Downtown and sit across from the U.S. Bank Tower

Its glass ribs catching the shadows of analysts going to 71Above

A coyote, empty wallet, who wants to take a bite of the concrete crack’s flower

The wind from the entrance to the Central Library howls like my pack


Encelia sprouts between the sidewalk seams, never hesitating

Yellow faces tilted as if to ask “why are you here?”

I think about how I’ve been self-domesticating

As the city trims parts of me like it trims its wildflowers


I text the bobcat ‘cause I can’t just let her be

“I know I’m wrong for coming on too strong”

“Girl, that’s on me!”

and delete the messages before they ever send


Me and Mr. ladxidóʼ2-beat

His rhythm louder than my thoughts

He asks, “Cali Chiu,3 Coyote? (You cheat...)”

And I pretend I know the answer


I crash a quince saa4 in a backyard that smells rico

Huichaana is there too, pressing pastel into my hands

The DJ shouts “y hora cumbia sampuesana, chicos!

And I slip out onto the bus before anyone notices


It takes me all the way to Koreatown

I pass a thousand and one “K-BBQ” signs and matcha cafes

Where even the neon signs ask me with a frown

“이봐 코요테, 그 목걸이를 보니 넌 누구 편이야?”


By the time I reach the Lorenzo on the edge of downtown

The night has already folded itself over the skyline

I climb up to the roof, letting the wind pin my wildness down

The city has taken a page from Mr. ladxidóʼ-beat, asking me “Cali Chiu, Coyote?”


1. Isthmus Zapotec for “And stop buying her that!”

2. Isthmus Zapotec for heart

3. Valley Zapotec for “Where are you going?”

4. Isthmus Zapotec for party


Self Domesticating (English)

Call me Coyote, friend

I’ve been wandering since sunrise

Eating whatever the city drops at my feet like popcorn outside of Regal

I’m not like the rest of my kind; I use google maps and spotify


The muse arrives at the cafe twenty minutes late with a toga

Slipping off one shoulder

Holding a half finished brown sugar boba

She says art is sacred and sighs but my “concept intrigues her”


“I will not descend from Olympus for free!” she declares

Tapping her straw against the cup like a scepter, toga wrinkled

“Inspiration costs extra, kid1” (because she must prepare)

“Maybe a dinner at Chubby Cattle, or at least upgrade me to oat milk”


The door dings and I step outside, Huichaana clears her throat behind me

“Son, that jacket doesn’t help you2

Put on a sweater, and you’re too skinny!2(Auntie, just let me be...)

“And stop buying her that!”3


As I cross the I-110 into Culver City,

I run into the bobcat, my friend

She tells me, “Isn’t it a pity—”

“That you’re a coyote with a shiny collar but prowl the metro?”


I ride on the E line’s back to Downtown and sit across from the U.S. Bank Tower

Its glass ribs catching the shadows of analysts going to 71Above

A coyote, empty wallet, who wants to take a bite of the concrete crack’s flower

The wind from the entrance to the Central Library howls like my pack


Encelia sprouts between the sidewalk seams, never hesitating

Yellow faces tilted as if to ask “why are you here?”

I think about how I’ve been self-domesticating

As the city trims parts of me like it does to its wildflowers


I text the bobcat ‘cause I can’t just let her be

“I know I’m wrong for coming on too strong”

“Girl, that’s on me!”

And delete the messages before they ever send


Me and Mr. heart3-beat

His rhythm louder than my thoughts

He asks, “Where are you going,4 Coyote? (You cheat...)”

And I pretend I know the answer


I crash a sweet 152 party in a backyard that smells delicious

Huichaana is there too, pressing cake2 into my hands

The DJ shouts “and now cumbia sampuesana, guys!2

And I slip out onto the bus before anyone notices


It takes me all the way to Koreatown

I pass by a thousand and one “K-BBQ” signs and matcha cafes

Where even the neon signs ask me with a frown

“Hey Coyote, with that collar, whose side are you on?5


By the time I reach the Lorenzo on the edge of downtown

The night has already folded itself over the skyline

I climb up to the roof, letting the wind comb through my fur

The city has taken a page from Mr. heart-beat3, asking me “Cali Chu, Coyote?”4


1. Greek

2. Spanish

3. Isthmus Zapotec

4. Valley Zapotec

5. Korean

John Recendez is a senior studying Business Administration with an emphasis in Finance at the University of Southern California. John is interested in poetry, prose and screenwriting, and has been previously published in Trojan Bloom and Reforestation Magazine.

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