WITCH!

Gabriela Rey

The Goby Review

* Note: I've written this script so that the idea of a young woman with the ability to produce fire from her hands is implied, but we never see her powers on screen. This will allow for a much more inexpensive and simple shooting process.

OVER BLACK:

The sound of a sudden WHOOSH of flame. A crackle.

BETTY (V.O.)
(low)
Avert your gaze, sister.

The sizzle of a flame being EXTINGUISHED.

Fade In:
Int. Barn Attic — Salem Massachusetts, 1692 — Night

A warm glow of candlelight illuminates the wood-paneled space. Bundles of straw litter the floor of the hayloft. Sheaves of dried herbs hang from the ceiling. A light breeze lingers in the window, rustling the hay on the ground. A distant click-clack of a horse drawn wagon.

A young woman, BETTY EASTEY (19, F, doe-eyed) stares at the palms of her hands. They're chapped, covered in SOOT — as if they were ON FIRE. Another young woman, SARAH EASTEY (21, F, sharp) bites her lip, anxious.

SARAH
A lady does not conjure fire from her hands and then refuse to answer for it.
BETTY
He hath cursed me. I should not have...

Sarah's eyes widen. She takes her sister's hand.

SARAH
Please. We can fix this. Make it as it was. But first you must tell me what happened.

Betty's gaze is untamed. Primal.

BETTY
...The woods. I call to it. And it calls back.
SARAH
Let me go with you. It is not safe out there.

Betty shakes her head.

BETTY
It only speaks to me when I am alone.

Betty turns to leave—

SARAH
Should you be discovered...

Sarah's gaze lowers.

SARAH (CONT'D)
Swear to me — you'll run.
Smash Cut To:
Ext. The Woods — Night

Betty paces haphazardly through thick brush and spindly oak. She sweeps past trees as a SHARP THORN grazes her knee. She FALLS to the ground.

She clutches her knee in pain, looks at her cut: it's deep. BLACK TAR seeps out of the cut in place of blood. Her eyes WIDEN.

Wincing from the pain, she marches deeper into the woods.

Int. Barn Attic — Continuous

Sarah walks towards the window ledge and gazes out, worried. She steps on a CRACK in the floorboard and it shifts, loose. She bends down to take a closer look at it.

Sarah's eyes widen as she lifts the floorboard up. Inside the space lies a PLAIN WOODEN BOX.

OFF SARAH'S WIDE-EYED REACTION:

Ext. The Woods — Continuous

Betty limps through the woods. She shouts at the sky.

BETTY
You have made me a witch. You have made me a monster!

A shadow quickly moves behind a tree.

BETTY (CONT'D)
I will be hanged.

Betty scans the shadows... surely someone is listening.

BETTY (CONT'D)
I am not destined for such... violence. Release me from this curse!

She gazes down at her charred palms. Betty's eyes dart to the sudden movement in the corner of her eye. Her eyes FOCUS on something.

BETTY (CONT'D)
I know you're there. Answer me—
DARK VOICE (O.S.)
What hath been set in motion cannot be revoked.

Betty's eyes widen.

Int. Barn Attic —

Sarah opens the wooden box. Inside, a SMALL WOODEN FIGURE. It's head is shaped like a crescent moon. Sarah inspects it. Then, she notices a SMALL PIECE OF PARCHMENT at the bottom of the box. She unfurls it. An INSCRUTABLE SIGIL is scrawled on it IN BLOOD.

MALE VOICE
(from afar)
Sarah? Dear?

Sarah's eyes widen in fear.

Ext. The Woods —

A deep, haunting VOICE ECHOES through the woods. Betty stands in a clearing, eyes wide.

DARK VOICE
The pact hath been sworn. What is owed shall be claimed.
BETTY
You promised me fertile soil. For me. For my family. To grow our crops. I was told there would be no payment. It was a gift. You swore!
DARK VOICE
And the soil was fertile, was it not? And the crops were bountiful, were they not?

The voice surrounds her, it seems like it's coming from everywhere. She tries to track it, but it's no use. She's completely lost.

DARK VOICE (CONT'D)
Foolish girl.

The voice begins to LAUGH, maniacal. Betty SHOUTS at the sky:

BETTY
Let me be not the vessel for your darkness. Have mercy. Please.
DARK VOICE
Thou hast made thy grave. Now lie in it.

OFF BETTY'S LOOK:

Int. Barn Attic — Continuous

Sarah clutches the paper, trembling in disbelief.

FOOTSTEPS up the stairs. Sarah scrambles to hide the box. The floorboard is still askew. She turns to face the door.

The door opens and PAPA (40's, M, gruff) enters. He notices Sarah's face and his gaze softens.

PAPA
What is the matter, darling?

Sarah wipes a TEAR with her sleeve.

SARAH
Nothing.

Papa looks around.

PAPA
Where is your sister?
SARAH
(quick)
Feeding the horses.

Papa gazes over Sarah's shoulder. His brow furrows, confused.

PAPA
Have you been tearing out the floorboards?

Papa moves towards the floorboard—

SARAH
No, stop!

Papa pauses. He holds back his anger in a deep, absolutely frightening manner.

PAPA
(intense)
Speak freely. Or be made to speak.

Sarah's eyes widen in fear.

Ext. The Woods — Continuous

Betty walks backwards, afraid. Her eyes DARTING in every direction. She's on high alert. Then, she turns, picks up speed and RUNS through the woods. As if she's being CHASED.

Int. Barn Attic — Moments Later

Papa opens the box, takes out the parchment and reads it.

A moment of realization.

Then, makes a sign of the cross, takes a sharp inhale, narrows his gaze.

SARAH
Betty is still your daughter, Papa—

Papa ERUPTS.

PAPA
Where is the WITCH?
SARAH
You will not make me speak.

Papa glares at her, furious. Sarah's eyes widen in fear.

PAPA
I do not tolerate insolence, Sarah.

Sarah takes a beat. Thinks.

SARAH
(under her breath)
Promise me you will not hurt her.

Papa's gaze narrows, frightening.

SARAH (CONT'D)
(defeated)
...She is in the woods.

A beat. Papa knows she's telling the truth.

PAPA
Well done.

Sarah lowers her gaze as Papa marches out of the room.

Ext. The Woods —

Betty runs through the woods, utterly lost. She slumps against a tree stump, defeated.

She hears the muffled clatter of men SHOUTING. Little specks of FIRE in the distance. Her eyes widen, fearful.

The sound of MEN get louder and louder...

MAN #1 (O.S.)
Where could that little witch be?
PAPA (O.S.)
Not far. My eldest tells the truth.

Betty's eyes widen. A man emerges from the clearing, Betty's eyes lock with his.

BETTY
(relieved)
Papa!

Papa's eyes alight for a moment. Then, they sink in despair.

PAPA
The devil has taken you, Betty.
BETTY
I am no devil.

He shakes his head.

PAPA
There is no other way.

Papa RAISES his torch. Tears well in Betty's eyes, desperate.

BETTY
I beg of you—
PAPA
Do not plead for mercy. You are not my daughter. He has taken her from me.

Two other men follow behind Papa. Lanterns in their hands. They glare at Betty like she's the scum at the bottom of a pig trough. One SPITS at her.

MAN #2
To the gallows with the witch!

Betty takes a sharp inhale, frantic.

BETTY
I— I did this for you, Papa!
(beat.)
How else could we have survived the winter?

Betty looks down at her charred hands. Glances back up.

BETTY (CONT'D)
It was a sacrifice I made to keep you and Sarah alive.

The other men scoff at her. Papa is stunned.

BETTY (CONT'D)
I knew I would be punished for my sins. But I did not know it would come from my own father.

The DARK VOICE laughs. Betty draws a painful breath.

BETTY (CONT'D)
(quiet)
Please. I beg of you. You do not know what I am capable of.
PAPA
Is that a threat?

Betty begins to stand. Papa gestures to the men.

PAPA (CONT'D)
Grab the witch.

The men LUNGE at her, but Betty throws her SOOT-COVERED HANDS in front of her face.

Smash To Black:

The WHOOSH of a large flame erupting. Men SCREAMING in pain. Then, the sizzle of a flame being EXTINGUISHED.

BACK TO THE WOODS:

Smoke billows in front of Betty's face. She stares at the terrible scene. Her palms are covered in SOOT, smoke RISES from her palms.

The DARK VOICE'S LAUGH grows even louder.

Cut To Black.
— END —

Gabriela Rey is a Cuban-American actress, writer, and student from Brooklyn, NYC. She is currently pursuing a B.F.A. in Writing for Screen & Television at the University of Southern California’s (USC) School of Cinematic Arts. She is a two-time YoungArts Award Winner in Writing/Play or Script (2023 & 2024), earned a Scholastic Writing Award for her sci-fi short story, Sparks.

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